We are all aware of the expectation from the general public that EverythingEver is digitized and available online already. This is of course frustrating because, 1) when presented with the reality there is often a negative reaction from the public, primarily that archives are lazy and behind the times, but also, 2) the perception is often trotted out as a reason why preservation efforts are frivolous or don’t need to be funded, especially if the citation is in reference to commercial assets that are widely torrented. “There are a million copies online,” the argument goes, “Why should we care about archives or pay attention to their uptight rules?”, little aware that the bulk of cultural material in existence does not consist of Hollywood films, studio albums, and published works (or student websites from 15 years ago).